Three-Panel Plays, part 3

It's time for some more "editing with extreme prejudice" in the third installment of my Three-Panel Plays series! 

Oh no, it's Coriolanus again. I'm pretty sure we're all very familiar with Coriolanus now, thank you very much. 

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Cymbeline is such a busy play that I had to chop out 90% of it to make it fit in three panels. I'm now itching to do a full-length guide to Cymbeline, because it's an adorable play that deserves more than three panels and I love it. 

Stop by on Monday to see how I handle Hamlet and Henry IV, part 1 ! 


See all Three-Panel Plays here!

A Comprehensive Guide to Shakespearean Cross-Dressers

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Obviously, as all female roles were played by men in Elizabethan times, there were technically a lot more cross-dressers in Shakespeare, but these are the ones that cross-dressed in the context of a play. Viola and Rosalind are the really plum roles, but one of my personal favorites is Innogen from Cymbeline. She is really put through the metaphorical wringer. Special mention to Julia, who exclaims "O ME UNHAPPY!" and then faints dramatically, which, if you're going to faint, is the way to do it.