The 2014 Stratford Festival: The Musicals

I was intending to have the rest of my Stratford Festival season reviews done by today, but I only had time to do the musicals. Let's start with Man of La Mancha, a musical based on the life of Miguel de Cervantes and his famous novel, Don Quixote. At the end of the show, the leading lady, Aldonza, who has basically spent most of the last two hours being angry, ground into the dirt, and angry that she is being ground into the dirt, finally embraces the new identity that Don Quixote has given her. It's quite a powerful moment, and when I saw it at Stratford, this happened:

Now, I've seen Man of La Mancha several times before, and, as a cynical and inherently frivolous person, I must confess that it's not my favorite musical. However, it is very effectively designed to push people's emotion buttons, and one can't argue with an entire theatre of people who have clearly been profoundly moved by it, especially the gentlemen behind me who felt the need to audibly praise Aldonza's moment of self-actualization at the end. 

Crazy For You, a musical written around some of Geroge and Ira Gershwin's best songs, is much more my style - totally frivolous with a ludicrous plot, lots of catchy songs and fantastic dance numbers. Stratford does this sort of thing very well, especially with director/choreographer Donna Feore at the helm. If any show rivaled the sheer, unbridled joy of A Midsummer Night's Dream, it was this one. The definition of a toe-tapper. 

I will be back on Monday, although Monday's comic might be a bit late as I am embarking on a weekend road trip to go rock climbing with some friends. I might be posting sporadic updates on Twitter, if you feel like cyber-stalking me. If not, I'll see you on Monday! Have a simply lovely weekend. 

The Stratford Festival 2014 Season... in 3 Panels!

My cousins recently got back from their annual pilgrimage to the Stratford Festival in Canada, and have been posting tantalizing pictures of their trip on Facebook. As my own annual pilgrimage to Stratford will not be happening until August, I have been left seething in impatience and jealousy. To help me get through the next month, here is the Stratford Festival's current season, reduced in classic Good Tickle Brain three-panel style.

Mild-to-major spoilers, obviously.

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This has been the year of Lear for me, to the point of overdose, but I am still madly looking forward to Colm Feore's interpretation.

Gershwin! You cannot go wrong with Gershwin. There will be toe-tapping. Resistance is futile.

I saw this at Stratford when I was twelve years old. Looking forward to seeing it again!

This year's production at Stratford has added cross-dressing and gender-bending. Because love's not confusing enough already!

Part of the Holy Trinity of Noel Coward comedies, alongside Private Lives and Blithe Spirit. The other two are fantastic, but this one just might be my favorite. First saw it at the Shaw Festival in 2002 and fell in love. Lucy Peacock playing Judith Bliss at Stratford this year? I smell perfection on the horizon.

First saw this when I was 16, again at Stratford, and had most of the lyrics memorized by the end of the summer. Because your brain can never have too many showtune lyrics in it!

I have never seen this. My Restoration drama knowledge is sketchy at best, but I look forward to rectifying that by seeing this this summer. It looks incredibly madcap and fluffy, which is just how I like my comedies.

The only live production of this that I've seen so far was when the RSC's touring production of it, starring Patrick Stewart and Harriet Walter, visited my hometown. Which, you have to admit, is a hell of a way to be introduced to Antony and Cleopatra. Can't wait to see it in the Tom Patterson Theatre.

I've never seen this! I've never seen any Brecht, for that matter. There's a first time for everything! I'm really looking forward to seeing Seanna McKenna's performance. Because, honestly, I would look forward to seeing Seanna McKenna reading the phone book. Or seeing her watch paint dry. Basically, if there was water on the stage, she would walk on it, as far as I'm concerned.

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Saw this at Stratford (of course) in 2004. That production's Hubert, Tom McCamus, is this year's King John, so he'll have been on both sides of the famous "Death. / My lord? / A grave. / He shall not live. / Enough." line.

A four-person, chamber play adaptation of Dream, directed by Peter Sellars? Intriguing. Sign me up.

A play by Canadian playwright Michel Marc Bouchard. I have neither seen this play, read this play, or managed to find anything about this play that isn't in French, so I'm extrapolating here from the history of Christina of Sweden, as provided by Wikipedia, since I had never heard of her before this year. These three panels are a shot in the dark, essentially.

And that's the Stratford Smorgasbord for this year! I CAN'T WAIT. GIVE IT TO ME NOW.